oloriel: (plotbunny the second)


Dude, Azruhâr, you haven't talked to me in three frickin' years and now you want to tell me your entire story at once? Not fair! What the hell is wrong with you? I have a life! I have a family, a house and a garden! I need my sleep! I CAN'T TYPE THAT FAST! Seriously, slow down!

[I'm aware that after this post, he'll probably go and sulk for another three years, but it's no good if I have the whole story in my head and can't get it written down, either.]
oloriel: (if there's no movie about it...)


Caught Eragon yesterday on TV. Just as I had gathered, it was pretty much a shameless and unoriginal re-telling of Star Wars: A New Hope in a fantasy setting and otherwise everything you'd expect from a 15-year-old LARPer who writes the background story for his very first character. Mind you, when I was 15, I'd probably have written the same story, only (I hope) with more (read: any) interesting female characters and more consistent names. -- Did I get that right or did that just come across poorly in the movie -- all the dragons are female, and all the riders are male, and the dragons die when their riders die but when the dragons die, the riders will merely (at worst) mope and guilt? Well fuck that shit!

Other than that, however, it was mostly harmless if ridiculous, so I guess I won't get angry about it. At least Paolini's dragons aren't related to the Most Noble Platypus- I guess that's something...
Which reminds me about that other recent fantasy hype I meant to rant about, but oh well.

Also, Paolini kinda poked fun at that "I totally learned to fight with my cousin! And this is why I'm an awesome swordsman!" trope common in LARP beginners' character background stories. Huzzah! I wonder whether that was on purpose or just pure chance...

The Eragon Darth Vader equivalent kinda reminded me of that Maedhros AU plotbunny I had while writing The Tempered Steel and that I'd managed to push aside. Crap, here we go again. Like I need another one!

And I guess that's all I have to say about Eragon. Must admit that I still have no interest whatsoever in reading the book trilogy in four parts. I probably will hear everything about it when Felix is 10 or so, anyway. (Oh well, it could be worse. We could be looking at Twilight...)
oloriel: (snarky)


Living in a veeery secluded place in a veeery small town in a veeery well-populated land of a coupla million streets, when the Google Streetview camera car scare went around last year I thought "Hah, they'll never come down my street anyway."

Well, good thing I didn't put any money on that, because what drove past our house just when I was getting ready to drive to work?

Yup. The Google Streetview camera car. Black Opel Zafira w/ French license plate, with MASSIVE camera buildup on roof.

In my secluded street.

Bzuh!

In other news, it's a really bad idea to watch PotC: At World's End while in Akallabêth-in-August writing mode. Oh, the crack bunnies! >_>

My brain as a whole has been eaten by plot bunnies, and then that. I CANNOT WORK LIKE THIS. And I must. *headwalls*
oloriel: (plot bunny)


This is again mostly for the Tolkien fans (or the incurably curious) on my flist - the rest may want to skip this for major weirdness. Not for the faint of heart. May contain zombies and other dead people.

So I have started to write my first story for the Akallabeth in August project )
oloriel: (anglo-saxon for the wynn)


SO we’ve been translating laws in Anglo-Saxon class, first (excerpts from) the Laws of Æthelbeorht and then (excerpts from) the Laws of Alfred the Oh-So-Great. And I, who enjoyed Law class in grade 10 (we were allowed to eat pizza in class!) but otherwise think all things Jurassic juristic are rather tedious, find myself fascinated by laws.

Researching Anglo-Saxon law you’ll frequently find the opinion (mostly expressed in the late 19th/ early 20th century) that them Anglo-Saxons were on the whole a rather uncivilised mercenary society because most of their laws are lists on how to compensate someone for an injury or misdeed one has done. Because ZOMG how could they ever think it was correct to just pay a certain sum and be done with the issue. (You could even get away with murder if you payed the wergild to the victim’s lord and kin. Wergild not being someone who turns into money every full moon, in case you were wondering, but rather the price a person was worth.)
I dunno, personally I find that “You broke my wife’s cousin’s jaw, now you owe him 20 shillings (and twelve more if his ability to speak is seriously impaired)” is a lot more civilised than “You broke my wife’s cousin’s jaw, I keel you dead in the name of family honour”. An eye for an eye leaves the whole world blind; thirty shillings for an eye won’t bring the eye back, but recompense the disadvantages a semi-blind person might have in a society of warriors. (And thirty shillings were quite a lot of money back then.) Of course if you didn’t pay the victim (or their family) would be after you like nothing good, but at least you had the option of settling the whole thing peacefully at all. Or compared to somewhat later times - what's more civilised, making a thieve swear that he'll repay the 12-fold value of a gold crucifix he stole from a church (or else!), or flaying him alive right away? Thanks, I'll take Anglo-Saxon law. You say mercenary like it's a bad thing.

Of course it’s also fascinating to see where the old Anglo-Saxons placed the most value. In the lists of how much you get to pay for what body part, for example, you see that making someone speech-impaired is not as expensive as taking their thumb off (of course, in a society of warriors and farmers, the thumb is a pretty vital appendage, whereas speaking is optional…). The pinkie is more valuable than either middle or ring finger – you need it as a counterbalance when gripping a sword, whereas the ring finger is only needed for jewellery and the tasks of the middle finger can easily be done by the other fingers. Front teeth are more expensive than molars, and things are also priced according to how long they take to heal. People obviously had a lot of experience in these things.

And of course there are gender issues and the strengthening influence of the church (at some point you get to pay nine-fold for stealing from the King (or else…!), but eleven-fold for stealing from a bishop – which I in Æthelbeorht’s place would’ve found slightly unfair!) and the changing concept of kingship ("random guy who happens to command everybody" to "God's annointed, practically holy") and political issues and all kinds of fun stuff.
And plotbunnies.

Laws of Alfred: Firstly we decree that which is of the utmost importance, namely that everybody must faithfully keep every oath and promise they make…
Me: Same old, same old…
Laws of Alfred: … unless they are forced to do evil or improper deeds, or aid somebody in evil or improper deeds, in order to fulfil an oath; in which case the oath is voided.
Me: … SMART move.
Maglor: Soooo, ever wondered who put the “Alf” in “Alfred”*?
Me: *facepalms* Like I needed another plotbunny.

Laws of Alfred: If somebody forces a serving woman to sleep with him…
Me: Yeah, right, pay a fine to the woman’s lord…
Laws of Alfred: … let him pay five shillings to the woman’s lord…
Me: Knew it. Misogynist Anglo-Saxon bastard.
Laws of Alfred: … and sixty shillings to the woman. Or if he cannot pay, let him be castrated.
Me: Awww, Alfred, you sweetheart.

In Bernard Cornwell’s Saxon Stories, Alfred the Great is depicted (mostly by the books’ protagonist, Uhtred, who is a rather hairy uncivilised warrior bastard himself) as a rather annoying, pale, pious, pompous weakling, and a bad harpist, too; but I have to admit that the more I read on Alfred, the more I get to like him.


*Alfred meaning “elf-counsel”. It can be discussed whether that is supposed to mean “counselled by Elves” or “counselling Elves”, though the former is more likely.
oloriel: (plot bunny)
So.

This is likely not of much interest to most of you, but I still have to tell someone.

Last week that fanfic, mostly known as The Plotbunny That Crawled Out Of Angband (or, since I should get used to using the sucky but finally extant title, The Tempered Steel), that's been keeping me occupied for ages has crossed the magical NaNo winner mark of 50,000 words. (Yes, those of you who write regularly and prolifically are allowed to laugh now.)

It's never been a NaNo, and it's taken me over half a year to get there, but I got there after all. That's a first; normally my stories die somewhere along chapter 3. I once managed to get one up to 40,000 words before I got stuck, but actually crossing the magic 80-page mark (without cheating and using any of the stupid tips they give you at NaNo to push your word-count up, too) is new.

I actually meant to stop working on it once I was done with the current chapter (which is chapter 19). Not forever, as it's not a proper ending, but it would have been a good place to pause: Some things wrapped up and some things ahead for those familiar with the canon but not yet begun (except in allusions). So I had planned to stop there and turn my attention to the NaNovels of 2005 and 2006, which got stuck after 40,000 words in one case and just as chapter 3 ended in the other. Last autumn I suddenly knew how the first went on, but didn't manage to write it because there was work and the house and the other plotbunny. The second I edited, which showed me various inconsistencies that may have been put in intentionally but no longer make sense to me, and if even the writer no longer knows why something happens, it should probably be changed. Which would mean a lot of re-writing, which would take a lot of time, etc etc. So all my original characters are in a rather unpleasant kind of limbo, and some are stuck in the middle of a cliffhanger. Not a nice thing to do, I suppose (ever since reading The Well of Lost Plots I feel vaguely guilty for all the stuff I make my characters go through, but then we all know we're just in it for the angst), but I couldn't help it.

So I'd meant to make amends once I'd finished chapter 19 of the current obsession.
I probably won't be able to. There are at least two more chapters of that bunny that want to get written, and in one of them I might actually be able to explain the title. By current planning (which of course doesn't mean much as the story changes to much in the writing to stick to any kind of outline) chapter 22 or so might offer me a good chance to pause again, but as I don't yet know how to end that chapter, I can't be sure of that. For all I know it can drag out for another 50,000 words.

Alas.

Still, it's crossed a magic line, and it's still alive and kicking, so I'm hopeful I might actually get some other stories dragged across that line as well. I'd really like to get those two NaNos somewhere; while the stories are major pains in the rear end, I actually think they could potentially be good, and it's rare enough that I think that of my own stuff. So, yeah.

Yay.
oloriel: (plot bunny)


Today at work I discovered they removed the exhibition photos in the corridors.
Of course I am not quite certain what photography student art has to do with a simulator centre, but I liked those photos. Some were really good. The "One Day in the Life of Maki the Tomcat" series, for example. And at any rate the corridors are looking sad and empty now.
At least I made Colleague S. happy by mentioning that. "Oh, somebody noticed after all!" Poor man, trying to bring art to the scornful macho instructors at our company!
He said "something better" is going to come up soon.
Eh.

- - -
I do NOT need the pseudo-apocalyptic Dagor Dagorath plotbunny to come back. Or rather I did not need it to come back; as it's already shown up, the past tense is appropriate. Why do these plotbunnies always show up when I'm already working on other stories? I have three stories to finish, brloody hell, I do not need a fourth, and certainly not an apocalyptic Real World/Silmarillion crossover!
And I certainly don't want to make it a graphic fanfic. I have no time or patience for drawing comics, let alone a whole novel-sized fic!

- - -
I also do not need another crack bunny vaguely containing Vairë the network administrator, do I. Although that's totally what she would do if she were a mere deity who had to go with the times or perish.

- - -
I blame both of those on my re-reading of Good Omens and on reading The League of Extraordinary Gentlemen.

- - -
I finally got around to importing all my bookmarks from the old computer to the laptop, and because I'm a thmart gal, I checked them all to see whether they were still working.
Aside from the fact that I'm embarassingly amused by the fact that the Tolkien estate made all the linkies on their page in Tengwar and translated them into Quenya, turning "website" into natsenómë ("net-place"), it probably says a lot about me that I had the link to the Online Etymology Dictionary in the "fun stuff" folder and the link to the French Revolutionary calendar converter in the "useful stuff" folder... >_>
oloriel: (plot bunny)
Dear brain,

You are supposed to work on your term paper. No, the literature is not supposed to give you plotbunnies about how Sir Gawain and the Green Knight is the result of a bet between Maglor and Daeron whether the (Middle) English tongue could be made into something beautiful or not. Sheesh. Even though it would explain why the author of the poem was obviously highly educated, obviously highly intelligent, obviously highly talented, obviously much better with about everything than his contemporaries, and just as obviously disappeared after writing a few brilliant poems and was never actually discovered.

On the other hand...

Dear literary world,

I have solved the mystery around the authorship of Sir Gawain. You may send me my literature Nobel prize at any covenient time.

Yours,

Lyra.

- - -
*facepalms*

Grice

Jun. 1st, 2006 06:09 pm
oloriel: (plot bunny)
This is just for my amusement, and to feed the plotbunnies. No further implications are meant, although you are, of course, free to amuse yourselves with this, too.

- - -
The cooperative principle:
Make your contribution such as is required at the stage at which it occurs, by the accepted purpose or direction of the talk exchange in which you are engaged.

The maxim of quality:
Try to make your contribution one that is true. Specifically:
- Do not say what you believe to be false.
- Do not say that for which you lack adequate evidence.

The maxim of quantity:
- Make your contribution as informative as is required.
- Do not make your contribution more informative than is required.

The maxim of relation:
Make your contribution relevant.

The maxim of manner:
- Avoid obscurity.
- Avoid ambiguity.
- Be brief.
- Be orderly.


There are flouts. Some of them are conventional (jokes, metaphors, irony).


~Herbert Paul Grice
- - -

Eeeeee, a linguistic dictatorship!

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